Reviews
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‘Clown in the Cornfield’ Review: A Fun Slasher Wrapped in the Wrong Package
First off, let me be clear, I do like Clown in the Cornfield. I think it’s enjoyable, I appreciate that…
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Review: “Étoile” is a Smart Comedy From the Team That Brought You “The Marvelous Mrs. Maisel”
*** Caution: Mild Spoilers ahead*** I’ll confess: I didn’t have a ballet show on my 2025 Bingo card. But when…
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‘It Feeds’ Review: Indie Horror Bites Deep with a Haunting Family Curse
In an age of formulaic jump-scare factory output, It Feeds stands out for something increasingly rare in horror: it feels…
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Review: ‘Ransom Canyon’ is the Soapy Drama You Didn’t Know You Needed
*** Caution: Mild Spoilers ahead*** I saw my friend Jack Schumacher a couple of months ago and asked him how…
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‘Until Dawn’ Review: When Atmosphere Isn’t Enough
Until Dawn has all the ingredients of a modern horror hit: a charismatic young cast, a creepy wilderness setting, and…
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Damien Unleashed: Mark Indelicato Shines in the latest episode of ‘Hacks’
The glittering lights of Los Angeles are flickering a little brighter thanks to the magnetic Mark Indelicato and his performance…
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Review: ‘MobLand’ is a Delicious Ride into the Underbelly of London
*** Caution: Mild Spoilers ahead*** I love Guy Ritchie movies, which seem to specialize in showcasing the criminal underbelly of…
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‘Dead Mail’ Review: The Post Office Procedural from Hell
“Dead Mail” may start as a postal oddity, a slow-burn tribute to the unsung heroes of lost letters but it…
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‘Sinners’ Review: Ryan Coogler’s Vampire Epic Bleeds with Soul
There’s something ancient in the bones of Sinners, Ryan Coogler’s staggering new horror film, something as old as the cotton…
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‘On Becoming a Guinea Fowl’ Review: A Scream Against Generational Silence
A surreal, haunting, and darkly funny exploration of grief, silence, and the courage it takes to break tradition. Rungano Nyoni’s…
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