Miguel Martinez
-
Articles
Review: ‘Bloody Axe Wound’ Swings Wildly but Hits Just Enough
In Bloody Axe Wound, director Matthew John Lawrence and producer Jeffrey Dean Morgan attempt to stitch together a blood-soaked tribute…
Read More » -
Articles
‘Mickey 17’ Review: Bong Joon-ho’s Newest Bold, Absurdist Space Satire
In Mickey 17, Bong Joon-ho delivers a delightful and absurd satire that takes aim at everything from the crumbling systems…
Read More » -
Articles
‘The Monkey’ Review: A Horribly Fun Exploration of Mortality and the Legacies We Inherit
*** Caution. Spoilers ahead *** The Monkey is a boldly demented horror-comedy that redefines what it means to adapt a…
Read More » -
Articles
‘The Dead Thing’ Review: Ghosting in the Digital Age
The Dead Thing is a haunting meditation on modern loneliness and the ghostly residues of our digital lives. In this…
Read More » -
Articles
‘Companion’ Review: Toxic Love in the Digital Age
Note: This is a film that is impossible to speak on without spoilers. So, from this point on, spoilers abound.…
Read More » -
Articles
‘Presence’: A Haunting Family Drama with a Chilling Finale
I went into Presence expecting something akin to Paranormal Activity—a supernatural horror flick filled with jump scares and creepy hauntings—but…
Read More » -
Articles
‘Grafted’ Review: Beauty, Body Horror, and the Price of Perfection
Grafted is a fascinating body horror film that blends grotesque physical transformation with poignant social commentary, resulting in a compelling…
Read More » -
Articles
‘Wolf Man’ Review: A Dark, Thrilling Transformation That Never Fully Unleashes
Leigh Whannell’s Wolf Man offers an ambitious, yet ultimately underwhelming take on the classic Universal monster, aiming to explore themes…
Read More » -
Articles
‘Peter Pan’s Neverland Nightmare’: Where the Magic Dies a Slow Death
Peter Pan’s Neverland Nightmare is the latest offering from the so-called Twisted Childhood Universe, which specializes in turning once-cherished fables…
Read More »